Allan Wexler Poster / Daniel Eatock

Poster for a retrospective for the artist/architect Allan Wexler, 1999. Grouped according to differing categories, every work in the exhibition is depicted with small black and white photographs, or by a blank space, which acts as a kind of placeholder. What is “left out” or not pictured is just as important as what is depicted, because the overall structure–much like the periodic table of the elements–indicates a specific set of relationships. In this project, the marginalia of the exhibition checklist is displaced to a more central role as it summarises the event.